Dispersione
Dispersione is an installation consisting of 20 photographs, 5 found letters and 5 white cotton ribbons, which are the result of a private performative act held in the Maritime Alps, in a part of the Marguareis Park (Piedmont, Italy).
The project opens up to reflections on the relationship between loneliness and communication, on the critical balance of restlessness and stability, on the meaning of value and conservation and on the link with vulnerability, error and risk.
The 5 letters that are a part of the work are handwritten by senders unknown, dated 1916, 1944, post 1946, 1959, 1968. These writings represent a way to start a symbolic dialogue with the things that resist and whose dispersion can be determined by chance or intention. The artist has tried to decrypt the calligraphy and the sense of these forgotten letters, but they are very private mappings. Like this the artist can read the thought of an unknown, a trace that in the carelessness and disorder of the world, though has managed to survive.
The term ‘dispersion’, in addition to signifying disaggregation and scattering, indicates a possible phase in the life of a wolf; sometimes a specimen leaves its pack and goes away in order not to return. The Dispersion represents a critical phase in the life of a wolf: it is a loner, a misfit, a waste that seeks its own redemption.
In the 90s, 70 years after its disappearance, the spontaneous return of the wolf to the Maritime Alps was officially observed and recognized.
The performance act, organized in an ascent and a descent in two different days, took place on the path where Carnino Superiore leads to Punta Marguareis. During the ascent the artist read the written words aloud, adapting the reading to the rhythm of her walk and breath, where after she scattered them yet another time leaving them on the ground, under a stone. This voluntary abandonment, like a sort of vigilant oblivion exorcised the belief of preserve everything, in that part of the mind where, thanks to walking, you don’t ask questions.
The 5 small ribbons of white cotton allowed to recognize, by binding them to the nearest tree during the descent, the place where each letter was “scattered".
The 20 photographs that are part of the installation are the result of a selection of the shots taken during that walk.
“Dispersione is an intimate project in which the act of walking, to find another rhythm that can accompany the secret pulse of nature, has made perception different, correcting the blindness of the oversight we all fall victim ti everyday due to stimulation overload. Through her work, Silvia Margaria offers herself as a different yardstick by which we may capture what nature reveals and, listening in on the world, invites us to do the same using the overlapping sound of two metronomes each with a different beat: a resting heart beat and the heart beat speeded up by the effort of walking.” (Alice Zannoni, curator of the personal exhibition “La natura (non) ama nascondersi, Cubo – spazio arte, Bologna, 2021).
20 Fine Art prints from negatives on cotton paper, b/n and color
5 letters found
5 white cotton ribbons
original soundtrack
2017







Selected projects
Silvia Margaria (Savigliano, 1985) lives and works in Turin.
After studying at the Accademia Albertina di Belle Arti in Turin, she spent a few years at the film archive of the Museo Nazionale del Cinema in Turin, working in the film inspection and cataloguing department. This experience profoundly shaped her artistic research, fostering a methodology based on observation, waiting, deceleration and discovery, as well as a conscious attention to the dynamics of preservation and disappearance.
Her practice unfolds through photography, installation, video, archival research and site-specific projects. Through dialogue with visual traces, memories and landscapes, her work investigates the relationships between memory and oblivion, fragility and permanence, human and non-human environments. Her research pays particular attention to contingencies, fragments, latent narratives and the coexistence of opposing forces.
She has been a member of Progetto Diogene and she is co-founder of Progetti Specifici, an independent association dedicated to contemporary art research. She has also worked as tutor and coordinator for artistic residency and research programs, including Casa Walser, Hòbelté (2021) and The Unseen, Progetto Diogene (2017–2019). In 2025, she is one of the founders of Emulsioni, a festival of analogue photography held in Ferrania (SV), on the site of the former film factory.
“Friction, between a nature that reveals itself and at the same time retreats into its most essential part, is the very secret of nature, namely the invisible reason of which the world is its external manifestation. Silvia Margaria’s poetic vision straddles this very point: the artist seeks the imperceptible part of nature and explores its process of appearing with an observational work based on the desire to understand the mystery of life as it runs its course. Her work, in line with what it explores, is configured in the ambiguity of opposites (scattering/concentration – hiding/revealing – searching/finding – one/many – solitude/collectivity – communication/relationship – remembrance/oblivion – resistance/change) in relation to each other rather than in their divergent reciprocation, through the processing of the transitive quality of concepts, so that the consequential motion that characterises the natural flux of things can be drawn from their dialogic link.”
(Alice Zannoni, curator of the personal exhibition “La natura (non) ama nascondersi”, Cubo – spazio arte, Bologna, 2021).